David Fincher’s decision not to renew his exclusive production deal is part of a broader shift that could reshape how streaming services value prestige cinema.
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A $32.6 million opening for the Colleen Hoover adaptation and an $8 million debut for an expensive Tom Cruise original reveal the widening gap between recognizable stories and costly creative gambles.
The newly combined Skydance controls two historic studios and some of entertainment’s most valuable franchises. Its promise of at least 30 theatrical films a year could strengthen cinemas — even as consolidation raises difficult questions about jobs, competition and creative risk.
The inaugural Miccosukee Indigenous Film Festival brings 23 films to Coral Gables, creating a platform where Indigenous communities are not simply subjects of cinema but authors of their own stories.
With 50 films from more than 20 countries, Miami’s fall showcase is becoming an increasingly important stop between the world’s major festivals and Hollywood’s awards-season finish line.
As self-taped auditions become a fixture of modern casting, VIP Ignite is teaching performers how strategic lighting, camera placement and a carefully chosen background can turn an ordinary room into a professional audition space.
Zendaya shimmered in Prada, Selena Gomez turned to gold Louis Vuitton and Sarah Pidgeon embraced ’90s minimalism as television’s biggest night became a showcase for fashion’s competing moods.
Apple TV’s “Widow’s Bay” emerged as the defining winner of television’s biggest night, while “The Pitt” retained its drama crown and Matthew Rhys made Emmy history in Los Angeles.
In a city built around carefully constructed images, a gathering centered on authenticity carried a certain resonance. Sir Michael Fomkin and Jack Canfield came together in Hollywood to sign Living Truth — a book that asks whether the success you are pursuing actually belongs to you.
There is something about a red carpet in Hollywood that makes time feel different. A few steps become a milestone. At the private screening of the Blind Boys of Alabama documentary at the Chinese Theatre, executive producer Sir Michael Fomkin marked the end of one long road and the beginning of another.
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